
Create a vertical 3:4 digital watercolor-and-ink portrait using my photo as the subject, rendered in illustrative realism with painterly abstraction. Frame a medium close-up (chest up) in a subtle three-quarter turn with a calm but intense, direct gaze; keep crisp linework and highest detail around the eyes, brows, and mouth, while allowing hair strands to stay loose and slightly wind-tossed. Use a cool, desaturated palette of charcoal/Payne's gray and muted olive (for clothing if visible) with warm natural skin tones, then add select burnt-orange splatter accents near the head for contrast. Light the face with soft, overcast diffusion—gentle modeling, no hard shadows—so edges of the jacket can bleed into wet-on-wet washes, drips, and ink spatters toward the bottom. For the background, paint misty conifer silhouettes in layered grayscale fading into fog and paper texture. Emphasize watercolor artifacts—paper grain, blooms, edge bleeds, dry-brush touches—and avoid glossy or photographic rendering; keep the center facial features sharply defined while outer contours become abstract to preserve the moody, cinematic atmosphere.